Michael Metzger

Sixty-seven years ago today, on D-Day, American paratroopers told a parable.

Parables are designed to connect friends and confuse foes. Landing behind enemy lines, American paratroopers had one, called a clicker. It located allies yet was lost on the enemy—the same reason C.S. Lewis penned his own parable a year earlier, in 1943.

On D-Day, paratroopers of the 82nd and 101st Airborne Divisions landed behind German lines. Scattered across the countryside, they had devised a way to reconnect since many German soldiers had donned American uniforms and spoke impeccable English. The solution was clickers, simple sprung-metal clips. One click-click identified an Allied soldier. A response of double click-click identified the second soldier as an American. Clickers confused the enemy, since they sounded like a cricket. They distinguished between friend and foe—which happens to be the purpose of parables.

“Parable” means “to throw alongside.” It’s a story thrown alongside truth that also throws off opponents. Parables are for wartime, which is why Jesus used them. Early on, he faced opposition from the teachers of the Law who attributed his works to Satan. To distinguish between friend and foe, Jesus spoke in parables, clueing in his compatriots: “The secret of the kingdom of God has been given to you. But to those on the outside everything is said in parables so that they may be ever seeing but never perceiving, ever hearing but not understanding.” Parables are for those with “ears to hear” (Luke 8:8).

This is the very reason C.S. Lewis told a parable about the pitfalls of modernity and the Enlightenment idea of knowledge. From antiquity until the close of the Middle Ages, knowledge required fact, myth, and truth coiled together. Real knowledge begins with facts, or experiences, as the Latin “fact” means “something happened.” Knowledge requires the whole body, not just the brain. Myth is imagination, the songs and stories shaping how individuals imagine their experiences. Truth is reason, rational capacities making sense of our imagination.

This is why Lewis described himself as an “almost naturalized” citizen of the Middle Ages.1 Before the Enlightenment, in the Middle Ages for example, “religion was not a particular way of life but the way of all life,” writes Christopher Dawson.2 The Christian faith was a resource for the knowledge of reality. It was the foundational culture-shaping force according to Norman Cantor. “Medieval culture was a culture of the Book, and in the Middle Ages, the Book was the Bible.”3 This changed in the Enlightenment.

In his book De Lubac: A Guide for the Perplexed, David Grumett describes how the 11th and 12th century represented a shift from hands-on learning to a mastering of rational truths. By the 17th century, the German Enlightenment of Kant, Lessing, Goethe, and Hegel had successfully elevated thinking over doing. The deepest knowledge became cerebral, not necessarily doing anything. As a result, individuals and institutions could claim to know all sorts of things without getting their hands dirty. The tightly wound coil of knowledge—fact, myth, and truth—was unraveling.

Lewis saw this as madness, but as a professor of English at Magdalen College, Oxford, he also recognized he was operating behind Enlightenment lines. To connect with Middle Ages compatriots and confuse modernist combatants, he penned a wartime parable in 1943, in Perelandra. It’s the second book of Lewis’ space trilogy, beginning with Out of the Silent Planet and concluding with That Hideous Strength. The first book is about a young man named Ransom who is kidnapped from planet Earth, the fallen or “silent” planet. Ransom eventually becomes a Christian and, in the second book, is sent to Perelandra, an unfallen world. Perelandra is a re-telling of the story of the Garden of Eden.

In this story, a Beast (a physicist this time, not a snake) tries to tempt Eve (the Green Lady) into breaking the only taboo set by God. As Ransom watches the Beast unravel what God had commanded, he becomes aware that the “triple distinction of truth from myth and both from fact was in fact part and parcel with the fall.”4 Ransom’s epiphany was Lewis’ clicker. Ransom was realizing how knowledge is created to be a tight coil of fact, myth, and truth. The unraveling of this triple coil—disconnecting them from one another—was part and parcel with the fall of humanity on planet Earth. It was in danger of happening again. Lewis was “clicking” to friends that the consequence of the fall was culminating in modernity. It is a “click” confusing those in the Western church.

Western churches enjoy a “kind of comfortable cohabitation with the Enlightenment,” wrote Lessie Newbigin. Dallas Willard says one consequence is the Western church “lives in a bubble of historical illusion about the meaning of discipleship.”5 It pulls apart head, heart, and hands, accounting for “the practical irrelevance of actual obedience to Christ and for the weakened effect of Christianity in the world today.”6 The modern church can claim to “know God” without experiencing or obeying him. Modern believers can claim to be “servants of Christ” by simply studying “servanthood” rather than serving others. Lewis saw this as part and parcel with the abolition of man.

Effective discipleship, as well as genuine educational reform, will require locating allies who embrace an ancient understanding of knowledge. It will likely also include confusing the modernists who don’t hear the “click,” but that’s the wages of wartime. Lewis had no reservations about being opaque, just as American paratroopers had no qualms about confusing enemy combatants on D-Day.

1 C.S. Lewis, The Discarded Image: An Introduction to Medieval and Renaissance Literature (Canto) (Cambridge: Cambridge University Press, 1994), p. 75.
2 Christopher Dawson, Religion and the Rise of Western Culture (New York, NY: Sheed and Ward, 1950), pp. 271-72.
3 Norman Cantor, The Civilization of the Middle Ages (New York, NY: Harper Perennial, 1994).
4 C.S. Lewis, Perelandra (New York, NY: Scribner and Sons, 1972 edition), p. 122.
5 Dallas Willard, The Divine Conspiracy: Rediscovering Our Hidden Life in God (San Francisco, CA: HarperCollins, 1998), p. 214.
6 Willard, Conspiracy, p. XV.


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4 thoughts on “Clickers”

  1. Mike, nice piece! I can see the parallel you draw between the two.

    I have always compared the “click / double-click” that the Allies used to the technique the first Christians employed in the Roman Empire to safely identify themselves of drawing one curve of the fish sign while they were talking to someone. If that person was a Christian, he/she would complete the symbol by adding the other curve of the fish…click / double-click.

    A parable is a way to explain a complex concept with more familiar experiences: a metaphor/narrative. Because as limited humans we have no way of fully grasping the immensity for God’s plan completely, God used parables throughout history to help us understand the important stuff!

    I believe there is an unfortunate danger inherent in theological parable: taking the parables beyond their intended message. By its nature, a parable cannot be the gem but only one facet of the precious stone. By attempting to make it a ruby the facet can become distorted, thereby masking its wisdom with interpretive confusion and derision.

  2. Mike Metzger

    Chris – very helpful! I didn’t know about the early church sign of the fish. Thank you for this, as well as your good word about the overextending of parables.

  3. There is no confusion. Confusion only comes when we reject the words of God. For God is not the author of confusion, I Corinthians 14:33

    Job 28:28 And unto man he said, Behold, the fear of the Lord, that is wisdom; and to depart from evil is understanding. Proverbs 1:7 The fear of the LORD is the beginning of knowledge: but fools despise wisdom and instruction. John 17:17 Sanctify them through thy truth: thy word is truth.

    Psalms 119:100 I understand more than the ancients, because I keep thy precepts.

  4. Pingback: Why You Need To Tilt Your Brain | Darrow Miller and Friends

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